As noted in class, I found this task somewhat difficult, but
perhaps it was unnecessarily so. Thinking we had to generate up our own
categories, Mikaela and I worked much more inductively in our analysis,
allowing Ellen Johnson Sirleaf’s Nobel lecture to guide our reading. As a
result we came up with somewhat general rhetorical categories that fell on a
spectrum of concrete to abstract. We saw the idea of identity as being the most
abstract since it connects Sirleaf to broad categories of individuals and gets
us far beyond the immediate context of the Nobel Lecture. The most concrete
category had to do with intratextual details of rhetorical devices; by focusing
on the speech itself, we were trying to remain only within the parameters of
the speech with this category. Finally, in the “middle,” were audiences; this
category joins the speech with identities, as her repeated invocations of
different audiences show how the speech is working within multiple identity
spaces. With these three categories in mind, we speculated how the different
audiences and identities were related to Sirleaf’s expression of indigineity.
With the opportunity to redo the assignment, I would
definitely stick to the traditional categories of discourse analysis:
transtextual, contextual, and intratextual. These at least provide a deductive
scheme that could be a little more rigid, but I think we also have to recognize
that there is some slippage in any type of categorization. What made our analysis
of the speech difficult is that while we were trying to illustrate abstract
categories, we had to rely on concrete information from the speech. I mean,
that’s the nature of analysis, but I think since we already had the sense were on
shaky ground with our categories, this leap from concrete to abstract became
more apparent in this exercise. Making transtextual claims based on intratextual
evidence requires us to do some research and make assumptions about what a text
is doing, so there was a lot of second guessing of our generation of categories
and subsequent analysis.
Our visualization suggests that while Sirleaf expressed her
indigeneity in some regards, she also ventured away from it. Inasmuch as indigeneity
is connected to one’s experience or expression of being “native,” Sirleaf’s
speech seems much more concerned with using minimal expressions of indigeneity
and elevating them to concerns for women, concerns for the continent of Africa,
and concerns for human rights everywhere. Thus, it was somewhat difficult to
find indigeneity in a text that minimizes it. However, I recognize that is more
than likely a constraint of the genre. The acceptance of a Nobel is a ceremony
with a lot of pomp and circumstance, so you wouldn’t necessarily expect there
to be heavy expression of indigeneity given the context. In fact, I think it
would be quite the remarkable deviation if someone made indigeneity the focal
point of their acceptance. However, this raises a question for me about the
relationship between indigeneity, location, and authenticity. On the one hand,
we can frame the question in terms of genre “how indigenous can a nobel lecture
be?” Not very. But we might also frame this question in terms of indigeneity: “how
indigenous can you be while in Sweden accepting the Nobel prize?” And there can
varying degrees in the situation, but I want to suggest that one answer might
also be “not very.” Perhaps my point here isn’t exactly clear, so let me try to
rephrase: If you’re winning a Nobel Prize, you’ve been vetted by powerful
people, probably even becoming a member of the elite yourself. As such, you
might be getting further away from “indigeneity” as it relates to colonialism.
We often frame indigeneity as being on the disadvantaged end of a power
structure, so becoming a Nobel laureate works against that conception. That isn’t
to devalue Sirleaf’s contributions or acceptance as much as question the nature
of the relationship between indigeneity and power, and the necessary collusion
with power to subsequently empower indigenous peoples.
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